It’s been in the back of my head this whole time that the hype around
Black Panther has been building up. I couldn’t pinpoint what it was,
though, until I finished reading Hidden Figures, the novel. There’s a
passage in the book talking about the black women who worked for NASA,
and how they had to be the very best. The highest example of their
community. The smartest, the greatest. The idea being that they had to
be the best of the best of the best before they would even be
acknowledged as adequate by white society. And it hit me, that even in
this day and age, we still treat the black community, and any minority
or “other” this way.
Black Panther doesn’t get the luxury of
adequacy or mediocrity. It has to be the very best. The best Marvel
movie ever made. Because otherwise, it doesn’t “deserve” to be made at
all. We, as the white audience, will look at it as the standard set for
black-led movies, and every other movie with a predominantly black cast
will have to meet and probably exceed those expectations. Because if
they don’t, they won’t get made again. Case in point: Look up Proud Mary
starring Taraji P. Henson and see how it was marketed, if at all, and
how it did in the box office. A flawed movie with a black female lead
goes nowhere. But if it had been a Scarlett Johansson movie, it probably
would have done just fine. And if it had been a Tom Cruise movie, it
probably would have been a hit...
Just like Wonder Woman had to be
the most amazing superhero(ine) movie ever made just to be considered
on par with every other superhero movie ever made, or we’d never get
another one in our lifetime. It’s why Captain Marvel has me worried that
it won’t live up to what Wonder Woman was. And it’s sad that those two
films are automatically pitted against each other because of that.
Captain Marvel has to be even better, or that’ll be the end of women-led
superhero(ine) movies. The fact that movies like this have to be in
competition with each other to win over the white male audience is
disturbing and disappointing.
Movies are still viewed through a
white, male lens. Even Black Panther, sadly. It has to smash records
and break glass ceilings and then when the numbers come back, studio
execs will say, “Huh, maybe there is a market for this...” Maybe one
day, minority groups and “others” will be afforded the luxury of
mediocrity, but that day won’t come for a long time yet. Until then, we
need to continue supporting these movies with as much enthusiasm and
money as we can in hopes that some day, there will be so much variety,
that when a mediocre film comes out that has a predominantly minority or
“other” cast, we don’t blink an eye or wonder what’s going wrong with
X-led casts. We’ll just move on to the next movie, like we already do
with white-led casts.
